Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Jean Baptiste Greuze
Claude Henri Watelet.

ID: 79865

Jean Baptiste Greuze Claude Henri Watelet.
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Jean Baptiste Greuze Claude Henri Watelet.


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Jean Baptiste Greuze

1725-1805 French Jean Baptiste Greuze Galleries French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (t?tes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Francois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litteraire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Th?ophile Thore, Arsene Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huiti?me siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre. The advent of modernism in the early decades of the 20th century totally obliterated Greuze's reputation. It was only in the 1970s, with Brookner's monograph, Munhall's first comprehensive exhibition of the artist's work, increased sale prices, important museum acquisitions and fresh analyses of his art by young historians, that Greuze began to regain the important place that he merits in the history of French art of the 18th century.  Related Paintings of Jean Baptiste Greuze :. | Claude Henri Watelet. | l accordee de village | The Lamentation of Time Passing (mk08) | Silence (mk25) | Louis-Francois Robin |
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Bartolommeo Caporali
Italian Early Renaissance Painter, ca.1420-1505
marin mersenne
French mathematician,philosopher and theorist. One of the leading French thinkers of the 17th century, he lived in Paris from 1619 as a Jesuit priest. His work is central to the academic and scientific movements of his time, and a major part of it is devoted to music. On the basis of practical experiment and observations, he made important discoveries concerning the nature and behaviour of sound, which are the foundation of the science of acoustics in later times. He also wrote on the theory and practice of music. His principal musical treatise is the Harmonie universelle
stanley spencer
English painter and daughtsman. Spencer received his first formal training in 1907 at the Maidenhead Technical Institute, Berkshire. A year later he enrolled at the Slade School, London, where, as a day student nicknamed 'Cookham' by his fellow students, he remained until 1912. In that year his painting the Nativity (London, U. Coll.) was awarded both the Melville Nettleship and the Composition prizes. It shows the wide range of his early influences, from 15th-century Renaissance painting to the Pre-Raphaelites and Post-Impressionism: just as Gauguin's Yellow Christ (1889; Buffalo, NY, Albright-Knox A.G.) was set in Pont Aven, Spencer's similarly Neo-primitive Holy Family is placed in Mill Lane, Cookham. By then Spencer had firmly established his birthplace at the centre of his spiritual universe. He wrote, 'When I left the Slade and went back to Cookham, I entered a kind of earthly paradise. Everything seemed fresh and to belong to the morning. My ideas were beginning to unfold in fine order when along comes the war and smashes everything.'






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